Death House is a really fun module, but it suffers from a lack of content upfront. While not as general purpose or introductory as the Lost Mines of Phandelver adventure included with the fifth edition Dungeons & Dragons Starter Set , Death House is a superbly written and fun adventure to move D&D into the … The doors are replaced by slashing scythe-blades, the inner walls are filled with swarms of rats, rooms with ovens or fireplaces are filled with choking poisonous smoke, and the outer walls and windows are bricked up and impervious to damage. This signals to the PCs that they have time to get out, and makes their lives a bit easier if they decide to stay. To make the connection clear, I told the PCs that a blanket of mist was rolling off the top of the dais, and that it very much resembled the fog that they had seen blocking their way outside. A journal on the nursemaid's nightstand, detailing in 3 entries the affair, pregnancy, and stillborn birth. I had Rose and Thorn beg to be put to rest, this got them into the basement. This guide provides a skill challenge as an alternative to the "Cult is Denied" ending. A number of helpful suggestions I gathered regarding their use: When Rose or Thorn attempts to possess a player, describe it as feeling like “a child’s hands, searching desperately for a warm embrace.” Your players may decide to refuse to even make a saving throw against possession; once the party saw that Thorn hadn’t taken control from the PC he’d possessed, another PC actually invited Rose to possess her as well. It’s enough to know that a to-hit roll might miss or they might fail a saving roll, but even a remote chance (5%) of something completely random happening is something they avoid. These two made invaluable contributions to the session. When the PCs escape Death House, many DMs agree that a congratulations from Strahd is in order. How did your sessions in Death House go? I’m not sure what I would change going forward about these, but I think I might choose to make one of the doors a mimic instead, and would likely unbrick the windows. I’m a sucker for giving parties cute animals to play off of, and in a bleak and empty setting like Death House, that can only be a bonus. Add in the aforementioned character table, item list, plus the irksome fact that D&D is simply not played the same way today (again, no 10 foot poles! Place a tattered piece of sheet music on the harpsichord in the conservatory, and have the spirits of the cult members appear to dance along to the tune. Before they had entered the room, I had already described the front door slam shut and that there was no way of opening it. When they got to the Hunter's Den, I described the wolves as lifelike, vicious eyes fixated on them, fangs bared and legs ready to pounce. That should add a little bit of comic relief, and I like the idea of giving them something to sacrifice instead of themselves, if they want to succumb to the darkness that early into the adventure. Ex. Now, railroading isn’t a bad thing, especially for a newer group. I'm not sure how they'll feel about the sudden change of tome from the brighter world of Faerun to the darkness of Ravenloft. I wanted to make it obvious that the encounter at the altar was the final step to fleeing Death House. Alternate death and dying house rules for D&D 3.5e I had a bout of insomnia last night, and in the sleepless caffeine-induced haze of 4 AM I compiled this list of alternate rules regarding death in 3.5e … Oh, Death House. Thank you so much for this idea! Even better was him trying to pull it out of his pack later to find nothing but ash. The Druid got downed however, while I should have let him take just a little bit of damage and "drag" the fight out a bit. Moreover, there are a lot of things that the party can miss (e.g., the secret door in the library), so I’ve tossed in some ways to drop hints to the party. Three of my players were able to get boosts up to the attic from the balcony outside of the master bedroom, but the fourth, a firbolg, was too big to make it up. The smoke worked great as a way to keep them moving. When asked, Rose reported smugly that she’d stopped him from scaring Thorn ever again. Opening the door reveals two skeletons on the bed. Utilizing—my god, the horror!—their skill proficiencies, the players must achieve five successes before accruing three failures lest they never escape the nightmarish halls of Death House. Death Note Relight 1: Visions of a God, alternatively Death Note: Rewrite ～The Visualizing God～ (DEATH NOTE リライト ～幻視する神～, Death Note: Riraito ~Genshisuru Kami~), is an animated feature-length film condensing part of the Death Note anime series. That one didn't sacrifice anyone. Unbricking the windows also allows you to let the PCs know immediately that the fog has gone away, letting them know from the start that they can finally escape for real. Hi, I was thinking of running Death House from Curse of Strahd as a stand alone adventure in play by post format. Again, this didn’t come up in my group, but I liked the idea of five shadows appearing “burned” into the walls behind each of the skeletons chained there. I'm going to be telling a full campaign story from when the Shenanni-guys played Cuse of Strahd module. I picked the person I thought was least interested in continuing to play d&d (I was DM'ing for a friends birthday.) The nursemaid’s ghost is an excellent way to communicate the backstory of the house to the players, but she can also be incredibly lethal and unfair to a party of level ones. In combination with Strahd's letter in the secret room, all the basic lore of the house was covered.". I'm very happy to hear that my post might have inspired and helped a fellow DM :). There was enough suspense, tension and danger to make it exciting, and we had some close calls, but no TPK. This instantly made them think: “Stop the altar -> get rid of the fog,” and got them to climb to the top. When my PCs refused the cult, I first described the house quaking above them, with dirt sifting down through the rafters. It was my first time as a DM and I had four players. To be really nasty, you can say the PCs hear them banging and screaming to be let out of their attic room. They include: Allow the PCs to hear the sounds of conversation and clinking silverware from the dining room, and then having those sounds vanish when the door opens. By using our Services or clicking I agree, you agree to our use of cookies. I didn’t want to force my players to spend too much time rolling Investigate checks on every corner, so I dropped them a hint in the nursemaid’s suite. If the PCs decide to take a long rest in the house, allow them to roll an Intelligence check to recall the relative safety of the Servants’ Quarters. One hitch I ran into: I did the congratulations from Strahd where one of the party members was impersonated, etc. Completing everything … How Do I Communicate That a Room is Unimportant? The drawings indicated secret doors in the house. As this character didn't die fair and square I don't want to make Strahd's favor TOO unfair, but I also need to make sure I don't succumb to the temptation of being a soft DM. We still encourage posting your own questions if they weren't answered in the links below. 2. See here for more details. Expect this to be a full series as the group progresses through the module, week-by-week. Once they come back to life next session maybe they won't remember in character what happened but will have terrible flashbacks for having experienced death. Directed by B. Harrison Smith. Basically i just stop mentioning them, and when someone asked they were nowhere to be found. Even my Good-aligned group treated them with suspicion once I shared Rose and Thorn’s (admittedly creepy-looking) portrait. That’s nothing to say of the incredible messiness of the hook leading the PCs inside, as well as the lack of any reason to persuade the PCs deeper into the dungeon once they’ve uncovered its nature. Having lost the battle earlier against Strahd's wolves, they were terrified of the stuffed wolves and immediately fled the room. One benefit of having a non-PC creature with the party is that when the reach the altar, they have an option to sacrifice that isn’t a player - but one that will make them feel deliciously worse. The doors are replaced by slashing scythe-blades, the inner walls are filled with swarms of rats, rooms with ovens or fireplaces are filled with choking poisonous smoke, and the outer walls and … This kept them panicked, tense, and on their toes. My players just finished the Lost Mines opening dungeon and then got to Barovia (through the mist hook). We still encourage posting your own questions if they weren't answered in the links below. They also tried to find other houses in the fog, but quickly realized that they were being railroaded inside once the constitution/exhaustion checks started. Your players will likely take Rose and Thorn’s request at face value, and using these encounters can cause them to realize that they’re in a ghost house too soon. Someone recommended that the ghasts of the Durst Parents be concealed behind their own portraits, rather than just dirt walls. Here, the children seize full control over their hosts’ bodies. When they entered the room, they wanted to check out the windows to see if they could escape this way, seeing that they did not like the house. Remember that a saving throw won’t make them leave, but an intimidation check will, which can make the PCs feel horrible when they force their friends out of their minds. Looks like you're using new Reddit on an old browser. I found that having the kids mention a baby being in the house still was actually a good reason for the party to enter, even if they still felt a little suspicious because of the whole scenario. My most recent run the group sacrificed their drow sorcerer and left. I’m one of the players and while I’ve tried to stay away from most “spoilers” I’ve just been trying to figure out if that’s even possible to survive in this house. This is an on-going megathread where we collect useful information on Curse of Strahd's introductory adventure - Death House. Enter the Skill Challenge: Escaping Death House. Overall not a fan of Death House at all. Basically, Strahd offers to bring them back if, in the future, they will pay Strahd back with a favor. My thought was this: Strahd makes a deal with the person who was in the coffin, and comes back with a curse or flaw. Terrorize your players with these changes to D&D adventure: Death House!Real horror lies behind real lives; not paper-thin imitations. House Thuranni is the youngest of the dragonmarked houses and lives a double life, to the public they are artists, entertainers and beautiful courtiers however, that is far from the truth. Be careful when you use these, though. Players seemed to enjoy that. If there was any feet dragging to be cute i banged loudly on a table to simulate a door being knocked on, or the sound of a babying crying upstairs. Death House is a fantastic house of horrors adventure for low level PCs and a great introduction to Curse of Strahd and the atmosphere of Barovia. I also somewhat agree with thisproposal of placing Death House in a small hamlet just outside of Barovia's borders; perhaps the village itself is only visible through the mists once the House has been cleared. Quick question: if you unbrick the windows, would you be willing to allow a PC to take a running leap through the glass? When looking at the Sorcerer class a… Press question mark to learn the rest of the keyboard shortcuts. Even better was that when they got to Daggerford, the cleric and the gnome decided to pool their money to buy a dog for the gnome to ride.. Thank you so much for this idea! Throughout, the PC received a sense of quiet pride from Rose. These include: The discovery that one of the PCs was actually impersonated by Strahd the entire time, immediately after discovering that PC’s corpse in a coffin outside of the house. Dang. This prompted him to investigate the mirror, revealing the passage up. When asked about the passage to the attic, she stepped aside, leaving the mirror blank save for his own reflection.
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